1. 2019 Dance Festival / Matthew Bourne’s Swan Lake
    1. Time:20 Sept.2019 (Fri.) 7:30pm 21-22 Sept. (Sat-Sun.) 2:30pm 7:30pm
      Location:Opera Hall, Guangzhou Opera House
      Ticket price:TBA
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    Running Time: 130 minutes (with 20 minutes intermission)
  • DAILY EXPRESS
    ★★★★★
    'The impact of this vibrant staging is undiminished; if anything it's even stronger'
     
    EVENING STANDARD
    ★★★★★
    'Matthew Bourne's Swan Lake has lost none of its glamour but grows and changes with each fresh cast'
     
    DAILY TELEGRAPH
    ★★★★★
    'As bold and beautiful as ever... Witty, menacing, lyrical and wild'
     
    TIME OUT
    'Powerful, entertaining and visually splendid'
     
    THE TIMES
     ‘Bourne’s Swan Lake continues to exert a hold on audiences’
     
     
    Matthew Bourne’s Swan Lake returns with a fresh look for the 21st century. Retaining the iconic elements of the original production loved by millions around the world, Matthew Bourne and award-winning designers Lez Brotherston (Set & Costumes) and Paule Constable (Lighting) will create an exciting re-imagining of the classic production. Thrilling, audacious, witty and emotive, this Swan Lake is perhaps still best known for replacing the female corps-de-ballet with a menacing male ensemble, which shattered convention, turned tradition upside down and took the dance world by storm. Collecting over thirty international accolades including an Olivier Award and three Tonys on Broadway, Matthew Bourne’s powerful interpretation of Tchaikovsky’s masterpiece is a passionate and contemporary Swan Lake for our times.
     
    The original Swan Lake was based on the story of Ondine, a German myth with a theme common in Romanticism that was adapted by Hans Christian Andersen for his story The Little Mermaid. Ondine was a beautiful and immortal water nymph. The only threat to her eternal happiness was if she fell in love with a mortal and bore his child, as she would then lose her immortality. Ondine duly fell in love with a dashing knight, Sir Lawrence, and they were married, the knight pledging unfailing love and faithfulness to her with his every waking breath. A year after their wedding Ondine bore Lawrence a son. From that moment she began to age. As Ondine’s beauty faded, Lawrence lost interest in her.
     
    One afternoon Ondine was walking near some stables when she heard the familiar snoring of her husband. When she entered the stable, she saw Sir Lawrence lying in the arms of another woman. Kicking her husband awake, she cursed him such that he would have breath so long as he remained awake, but if he ever fell asleep his breath would be taken from him and he would die.
     
    Bourne's Swan Lake radically reinterprets the myth. The focus of the ballet is turned away from the Ondine character to the man – the Prince. It is the Prince who struggles against repression and hopes for liberty, and who needs love to make him safe. In addition, it is not the mortal who is unfaithful to the nymph. Rather, it is the Swan who expresses love for the Prince, betrays him in the form of the Stranger, and finally returns to him. However, as in the Ondine myth, the sin of betrayal cannot be expiated except in death.
     
    PRODUCTION
    Director & Choreographer: Matthew Bourne
    Set & Costumes Designer: Lez Brotherston
    Lighting Designer: Paule Constable
    Sound Designer: Ken Hampton